Suzuyaki (珠洲焼) is a traditional pottery style from the Noto Peninsula in Ishikawa Prefecture. In January 2024, the area was struck by a powerful earthquake that caused widespread loss. The disaster also destroyed all 22 local kilns and devastated artisans’ homes, livelihoods, and stored works. Despite the despair, potters such as Mayumi Miyawaki and Shinohara Takashi found renewed motivation through public support that recognized the craft as a cultural symbol.
Traditionally fired for days in wood-burning kilns that create unpredictable, textured finishes, Suzu ware relies heavily on individual kiln techniques, making the loss especially severe. In response, artists began sharing facilities and knowledge for the first time, fostering collaboration and mentorship for younger potters like Haruka Hiyashi. They are now using the Suzu City Ceramic Arts Center’s wood-fired kiln while rebuilding their own and 8 kilns have been restored so far. Relief funds, donation campaigns, and exhibitions in Tokyo – including one featuring works by Takenori Shimizu – have helped raise awareness and hope, with artisans determined to rebuild and use their creations to ensure their community is not forgotten.
Last October, the Suzu Pottery Festival was held once again; moreover, the selection process for a two-year apprenticeship program is now underway. Craftspeople are returning to exhibitions, and although many potters and kilns are still recovering, the strength and passion to keep this tradition alive remain undiminished.
* Image Source: Why Not Tokyo. Reference for the article: Suzu Ware official website and The Japan Times.